San Gennaro : the story and cult of the Neapolitan icon.

September 7, 2025

When you come to Napoli, the face of San Gennaro (after Maradona) is everywhere, in graffiti, statues, posters and banners.

Saint Gennaro (Saint January) is the patron saint and protector of Napoli and Neapolitans have a very deep love and affection for him.

We celebrate the feast day of Saint Gennaro every year on September 19th.

The origin of the name Gennaro, which is very popular in Napoli, comes from the latin Ianuarius, which means “consecrated to the god Janus” and often referred to children born in the month of January.

Street art inspired by San Gennaro. This graffiti by the street artist Jorit is in the Forcella area, not far from the Cathedral.

Portrait of San Gennaro in San Lorenzo church.

The history of the devotion towards this Saint is shrouded in mystery. We don’t know much about him, but what we do know is that he was a bishop and a martyr, possibly born in Napoli or Benevento around 272 and died in Pozzuoli in 305.

According to the legend San Gennaro was bishop of Napoli and was arrested in Pozzuoli during the last persecution of Christians by the Roman Empire, where he was protecting his fellow christians.

There are differing stories of his death. One version was that he was captured and torn to pieces by lions. Another was that he was tortured but it had no effect, so he was thrown into a furnace from which he came out unharmed. Another version says that he was decapitated at the Solfatare crater. Some of his remains were stored, and his blood kept in two ampules, which are now kept in the Duomo (Cathedral) of Napoli.

The cult of San Gennaro is a mixture of religion, tradition, faith and folklore.

In 431, King Charles II Angiou of Naples ordered a very precious relic bust to be made by the finest french goldsmiths, in order to keep the skull and the two ampules of blood of the saint inside.

In 1305, San Gennaro’s bust was put on public display, to be venerated by the Neapolitans. King Charles’ son Robert, further ordered another handheld case to be made, just to keep the two ampules of blood inside. It had a glass window at the centre so you can see the ampules of blood and that is how we see it today.

The fame of Saint Gennaro is related to the miracles made by the liquefaction of his blood. According to old documents, during the famine of 1389, there was the very first miracle of the liquefaction of his blood, which coincided with the ending of the famine.

Between 1526 and 1529 there was a terrible plague in the city so the Neapolitans made a vow to build a Chapel in his honour so that he might protect them.

One of his most famous miracles performed was that during a procession with his statue Vesuvius erupted but the lava miraculously didn’t touch the city.

Neapolitans then built the San Gennaro chapel in the Duomo of Napoli, which was consecrated in 1646. It is richly decorated with marble, gold and silver, as well as with busts and paintings illustrating the life and legends of the saint, created by many artists of the Neapolitan Renaissance and Baroque with sculptures by Cosimo Fanzgo, frescoes by Domenichino and paintings by Jusepe de Ribera. Around the Chapel there are almost 50 sculptures and statues of San Gennaro and other co-patron saints made by many prestigious European goldsmiths.

At the top of the entrance there is a sign in latin, which reads ”To san Gennaro, citizen and protector from wars, plague, hunger, and the fire of the Vesuvius, in virtue of your miraculous blood”.

The altar of the San Gennaro Chapel in the Cathedral of Napoli.

On the central altar, the handheld case where the two ampules with San Gennaro’s blood are kept.

On the right altar, the Spanish painter Jusepe de Ribera with the story of *Saint Januarius Emerges Unscathed from the Furnace*, 1646.

On the opposite altar, painting by Domenichino, 1641.

The frescoes of the dome are painted by Domenichino in 1641. and then completed it by Giovanni Lanfranco in the Paradise scene at the centre in 1643.

The miracle of the liquefaction of his blood happens three times a year: on the first Saturday of May, September 19th and December 16th.

The ceremony of the miracle is held in the Duomo (Cathedral) by the Bishop of Napoli and it is a very important event for the Neapolitans in a spiritual and a social way. The relics and the container with the blood are stored in the Chapel of the Treasure of San Gennaro. The bishop takes the container and a crowd gathers around to see if the dried blood contained inside liquifies. It doesn’t always happen but if it does, it’s a good sign for the city, especially it means the Napoli football team might win the league or the champions league!

If you want to attend the spectacle just make sure to get there very early in the morning as it gets very crowded very quickly.

San Gennaro obelisk (guglia) in Piazza Riario Sforza.

Two characters in the Neapolitan culture: San Gennaro and Caravaggio. The graffiti is by Roxy in The Box in piazza Riario Sforza.

The old gate of the city dedicated to San Gennaro in via Foria, on the border of the old town.

Many scientists have tried to study the miracle, analysing the dried blood to see if it loses viscosity by movement, shock or vibrations, like for instance the way tomato ketchup, which when poured starts off as solid and then becomes liquid.

Of course, it’s all about your personal beliefs. For those who believe it is very profound and moving event. For others it’s just a tourist attraction.

Near the Duomo (Cathedral), it is also possible to access the Museum of the Treasure of San Gennaro. Here you can find the astonishing treasure collection of Saint Gennaro which includes hats and necklaces decorated in gold and precious stones, donated over the centuries by Kings, Popes, Emperors, famous noblemen and normal people. The collection is believed to be more valuable than the British Royal family’s collection.

You can also visit San Gennaro’s catacombs, the underground necropolis under the Incoronata church in Capodimonte. This is believed to be the place where the Saint was buried and it has become a place of pilgrimage over the centuries.

To know more about the catacombs and to book your visit click here on the San Gennaro Catacombs official website.

Art crafts inspired by the imagine of San Gennaro very popular in the Neapolitan shops.

You can see how much Neapolitans are devoted to San Gennaro, he is everywhere. He is one of the most recognisable icons of Napoli, along with Vesuvius, Maradona and Pulcinella.

“San Gennaro pensaci tu” (lit. “San Gennaro, take care of it”) whenever you have a problem, a pain, even if you want the winning numbers for the lotto, San Gennaro can help you. It doesn’t matter if you believe it or not, Saint Gennaro will always be there to be a comfort, and a hope for those who ask for help.

The cult of San Gennaro’s is also celebrated worldwide among the Neapolitan diaspora. In fact one of the most important is in New York.

Despite wars, earthquakes, volcanic eruptions and pandemics Neapolitans always feel protected by San Gennaro. Always and for ever.

And who knows maybe he ’s got something to do with the Napoli football team winning their 4th scudetto in 2025!

You can visit my page to know more about the history of the Duomo Cathedral of Napoli.

Official website: Cappella di San Gennaro.

To book your tickets for the Museum of the Treasure of San Gennaro

Via Duomo 147 - 80138 Napoli

Tel.: +39 081 449 097 / Museum: +39 081 294 980 info: info@tesorosangennaro.it

Email: booking@cappellasangennaro.it

Cathedral - Free entry. You need tickets for the San Gennaro Chapel and the Museum of the Treasure of San Gennaro.

The San Gennaro Chapel is free every first Sunday of the Month.

Opening hours:

Cathedral: Mon - Sat 08.30 - 13.30 / 14.30 - 19.30 / Sun 08.00 - 13.00 / 16.30 - 19.30

San Gennaro Chapel: Mon. & Sat. 09.30 –13.00 (last admission 12.30) / 15.00–18.00 (last admission 17.30)
Tues. - Fri.: 09.30–13.00 / 14.30–18.00 (last admission 17.30)
Sunday: 09.00–13.00 (last admission 12.30) / 16.30–18.00 (last admission 17.30)

Museum: Every day 9.30 - 18.00 (last admission 17.00).

Nearest metro station: Linea 1 - DUOMO or MUSEO.

RIONE SANITA'

September 17, 2024

Rebirth. There is no more appropiate word to describe what is happening to the Sanitá district, the area between Capodimonte and the back of the Archeological Museum.

In the past, this part of the city was very dangerous and very poor. Famous to be the set of many old movies and to be the birth place of the most popular Neapolitan comedian, actor and poet of all time ‘Totó’, where today you can visit his old home.

Situated in the Stella-San Carlo quarter, Sanitá as we see it today was developed in the 16th century on land north of Napoli outside the walls of the city.

Originally, Sanita was a wooded area with springs of pure water (probably from this it took the name Sanitá, health) and it started off as a greek-roman burial area and this is where you can find the greek and early christian catacombs of San Gennaro and San Gaudioso and also the Fontanelle Cemetery, where victims of the plague were buried in 1656. This might be another theory about the origin of the name. Not only the health of the living but also of the dead. This is explained by the deep connection between Neapolitans and the after life. The Fontanelle cemetery is a typical example of this where people used to come to the cemetery and ‘adopt’ a skull or a skeleton in order to look after it and ask for a ‘miracle’. You can read more about the cemetery here.

Centuries after centuries, Sanitá became very poor and dangerous, even though royalty and aristocratic families built their palaces in the area and many religious orders settled there too. This is the reason why Sanitá has the highest number of churches in Napoli.

Only in recent years have things started to change for the better in Sanitá. Inhabitants started to tire of the increasing crime rate and decided to try and improve the area themselves. This part of Napoli, completely abandoned by institutions and politicians for so many years, is improving thanks to the courage and industry of many young Neapolitans, who instead of move abroad (like many) decided to work hard and make the area a better place to live and more pleasant for tourists to visit and see all the amazing things this zone has to offer.

Lots of things to see in Sanitá then. First of all the Fontanelle Cemetery, which is planned to reopen soon after a restyling of the entrance by the world renowned Italian architect Lorenzo Piano.

As I have already mentioned, the key of this rebirth is the younger generation which made possible the restoration and the reopening of the San Gennaro and San Gaudioso catacombs. It is called the Cooperative of the Paranza. To know more about the catacombs and this project visit their official website here: Catacombs of Naples.

This Cooperative is also responsable for the restoration of Sant' Aspreno ai Crociferi church, where the sculptor Jago based his studio and his permanent exhibition of sculptures. His art is deeply inspired by the classical sculpture of the greatest Italian sculptors such as Michelangelo. Jago is so deeply inspired by this area and and Napoli which is visible in his works of art, in particular the Veiled son, a clear reference to the Veiled Christ in the Sansevero chapel. Jago is also working on a very ambitious project for Sanitá: making a giant David statue like Michelangelo’s statue in Florence, but in the guise of a woman.

The model of Jago's statue in Sant' Aspreno ai Crociferi church.

You can visit the the Jago Museum and the catacombs with the same ticket and it is valid for one year.

There is also the restoration of the abandoned church of Santa Maria Maddalena ai Cristallini (also known as Chiesa dei Cristallini). The church reopened as an art gallery after being closed for 40 years. Locals contributed in creating their own works of art inspired by the life and people of the area. It is filled with portraits of the same residents you can see on the streets of Sanitá, who have lived here with their families all their lives.

A little hidden gem of Sanitá is the Palazzo dello Spagnolo, in via dei Vergini. The Palace was built in 1738 for an aristocratic family and is an exquisite example of Neapolitan Rococo style. Today the palace is divided into apartments although it is open to the public for guided tours.

The younger generation as well as students moving in and immigrant communities settling there as well as tourists visiting is creating a new dynamism in Sanitá then. Thanks to them many abandoned churches or convents have now been converted into bed and breakfasts and hotels in order to attract tourists. This definitely seems to be working! A big advantage of Sanitá is that is a cheaper area to stay in although at the same time it is very central. This has led to many a new opening of pizzerias and typical Neapolitan food restaurants. One pizzeria even has a Michelin star ‘Michelin da Concettina ai Tre Santi’. Enjoy!.

Nativity in one of the shops on San Gregorio Armeno.

PRESEPE NAPOLETANO

November 16, 2023

The Christmas tree in many parts of the world is the symbol of Christmas. Not in Napoli. Here we have a very old and deep tradition: The Presepe, the Nativity.

There’s no Neapolitan house that doesn’t have their own version of the Presepe: small or large, simple or elaborate, modern or classical. In fact, one of my oldest memories as a child was of my grumpy uncle who turned into a happy child when he showed you his presepe, ‘his masterpiece’, which he displayed the whole year round in the living room.

Some people go mad decorating their homes and lawns with Christmas lights and decorations. Neapolitans go crazy with the nativity.

We need to go back in history to really understand the deep connection between this tradition and the Neapolitans. The 17th century is the golden age of the Presepe, however the origins date back far longer, as they were first documented in the 11th century.

The first known church to display a Presepe was in the 15th century when San Domenico Maggiore church displayed the Nativity scene inside a cave made with real stones rumoured to have been brought from Palestine. Since then until now every church in Naples displays its own Presepe.

The figures of the Neapolitan Presepe include the traditional statues of the Holy Family and also of the ‘Pastori’, which are made up of the shepherds, as well as lots of characters found on the old streets of Naples such as fishermen, merchants, bakers and ordinary men, women and children. Eventually these Presepe became status symbols where aristocrats and rich merchants began to commission pastori with their own features to display in their extravagant nativity scenes and a whole industry sprung up to meet this growing demand. Many workshops started to specialise in making these statues and you can still find them in the old town on the street known as San Gregorio Armeno. Even King Charles III of Bourbon was a fan who actively encouraged the practice. The 17th century was when the technique of making the statues was perfected. The faces were made with terracotta, which could give them a realistic range of facial expressions, then glass eyes were added. The bodies were constructed of bound string, richly dressed in expensive fabrics.

Today in the shops on San Gregorio Armeno you will find statues of figures from contemporary life such as footballers which include of course Maradona, the royal family, celebrities from the world of music and film and even pizzaiolo’s (pizza makers). Here you can also purchase the scenes to place them in which often resemble Neapolitan alleyways. If you go in the month of December expect to encounter large crowds. Be warned, it gets very busy!.

Nowadays, some of the most magnificent Presepe in Napoli are the ones exhibited inside the Museum of San Martino and at the Royal Palace on Piazza Plebiscito. The most spectacular one in San Martino is known as Presepe Cuciniello named after the nobleman who commissioned it in 1879 and it still sits in its original position. This Presepe is a unique example of the technology of its day. It sits inside a cave behind huge glass windows and a machine recreates the different stages of the day, from sunrise to dusk and throughout the night-time, all in a matter of minutes. The Presepe includes all manner of figures and every type of animals, as well as exquisitely crafted fruits and vegetables and meats and fish.

See more in the section I wrote about San Martino here.

*Presepe Cuciniello*, dated 1879 in San Martino.

Part of the collection of the Presepe section of the museum in San Martino.

The Presepe on display at the Royal Palace, belongs to the Banco di Napoli and it is a collection of several Neapolitan artists, like Giuseppe Sanmartino (sculptor of the breathtaking Cristo Velato in the Sansevero Chapel). It is a 17th century Neapolitan scene in which all the figures wear oriental and elegant clothes and which even includes Vesuvius in the background.

If you want to make your own Presepe, these are some of the characters of the tradition which you must be include in your scene. Benino (or Benito) is the young sleeping shepherd, which represents the awareness of the birth of Jesus. The vintner, to represent the wine, the blood of Jesus. The fisherman, always a reference to the Gospel. I due compari, two men at the tavern playing with cards, who represent Carnival and death. Last but not least i Re Magi, the three kings, which according to tradition, arrived in Jerusalem with gifts for the baby Jesus. For those fanatical about Presepe, it is very common to place three small kings in the background at the start of the festive period as they are coming from far away and then every few days they are replaced with bigger and bigger statues until January 5th when they finally arrive at the stable to visit baby Jesus, whose statue is only put in the scene at midnight on Christmas Eve.

Benino (or Benito), the sleeping shepherd.

Details of the precious clothes of some *pastori*.

As I previously mentioned, you can visit the San Martino museum and the Royal Palace Presepe, but the best way to experience the real Presepe Napoletano is to visit ‘Christmas Alley’ San Gregorio Armeno. This is one of the alleys in the old town, famous for all its shops where they sell and make all the statues of the presepe. You can find here any type of statues, from the cheapest (only few euros), to the most expensive (thousands of euros). You can also find elaborate pieces such as waterfalls with real water, mills, ovens, and all you can put in a nativity scene.

The famous Christmas alley, San Gregorio Armeno.

The amazing shops in San Gregorio Armeno.

You don’t need to be religious to appreciate The Neapolitan Presepe. When you walk around San Gregorio Armeno and all the other Presepe in Napoli, I’m sure you will be amazed by this fascinating world of tradition and modernity and by the the skills and the dedication of the artists who have created these wonderful things, generation after generation. These shops are open all year round and every January these presepe makers start to plan and work on the new presepe for the next Christmas.

One of the oldest workshops in San Gregorio Armeno.

You can make your own presepe with some barn/villages.

Barns like a traditional Neapolitan house.

Vegetables & fruits. All hand made and painted.

The incredible expressivity of the pastori in the San Lorenzo church.

Details of the pastori in the San Lorenzo church.

The Girl From Naples Is Back!

May 31, 2022

Hi there! Here I am again! I have just realised that my last blog was dated 2018! .

We all know very well, the last two/three years have been very difficult. We had a global pandemic that has changed not only our lives but also our way of travelling, so keeping up with all the restrictions and rules have made writing a travel blog very challenging, almost impossible and quite frankly, very depressing. So I am sorry for this long absence. I will try to write more often because there is still so much more to know about my wonderful city and region.

I have to say I really do miss travelling. Properly travelling, discovering new places, new countries, new cultures. It’s one of the things I have been missed the most. I have been travelling back and fourth between England and Italy for family reasons and had few outings in Italy without going too far. But I so miss that excited spirit that comes with a new adventure! As I said before our way of travelling has changed and so did we. A lot of people were (and still are) very scared to go to a foreign country, without knowing if they have to quarantine, having tests, etc. Let’s face it. It also has been very expensive and quite stressful to travel. Book the right test for all the family, get the green pass, quarantine in a hotel, ‘no you might not need to quarantine’, etc. How many times did you hear all this?

My very first holiday after two years, one of my favourite destinations: the island of Ischia (August 2021).

Fear also changed everything. I went to Ischia last August and even though it’s still my favourite, it was strangely too quiet, not as buzzy as it used to be. Most of the tourists were italians or local.

Thankfully, the situation is getting better everywhere. Now when you come to Italy, you don’t need to quarantine or show a negative test anymore. Since April 1st, all the travel restrictions have stopped. Hooray!

Even wearing masks indoors and having to show your green pass (the QR code showing you had two jabs and a booster) when travelling or indoors restaurants and bars has stopped.

If you test positive, you still need to quarantine until you have a negative result and must wear a mask.

Hopefully, even those few restrictions will drop by the end of April/beginning of May, so we can all enjoy the summer, the very first summer without stress!

I can’t wait to write more about my region. This summer, to celebrate the end of the pandemic, there are a lot of events and new places opening to visit for the very first time.

A place I definitely will write about is the island of Procida that this year has been nominated as Italian Capital of Culture 2022. Many events on the land and sea have been organised and a taste of the flavours of the Mediterranean cuisine. Definitely a place to visit!!

Finally also in Napoli, tourists are slowly returning and actually, for the summer, many hotels and b&bs are already fully booked!

Of course, please consider that rules to visit museums and art galleries are changing on a daily basis so I will try and keep all information up to date. It is recommended to book ahead of a visit to a museum as now in many places there are limited spaces for visitors. Remember also that from April to October it is free entry in all museums every first Sunday of the month.

It’s so good to know that we can start to think about travelling again and return to our ‘normal’ life.

Napoli is finally open to the world once again! Welcome back! Bentornati!

A Neapolitan very committed to social distancing!

'A proper homage from a nation... to these fine arts that we have inherited and whose splendor gives prestige to Italy and to modern Europe'. — **'A proper homage from a nation... to these fine arts that we have inherited and whose splendor gives prestige to Italy and to modern Europe'.**

National Archeological Museum.

February 24, 2017

The National Archeological Museum is one of the most important museums of classical archeology in the world and it is absolutely a MUST SEE when you are in Napoli.

The building was originally constructed as a calvary barracks and then was used to house a university, before it was finally turned into a museum. Over the centuries it has had many alterations for the purpose of housing its immense collection.

In the mid 18th Century, King Charles of Bourbon made available to the public his collection of antiquities inherited from his mother, 'the Farnese collection', which consisted of many amazing statues from Roman and Greek Antiquity. The king himself was a collector of fine archeological treasures, especially from the nearby buried cities of Pompeii and Herculaneum. He promoted the excavations of the two cities which were covered up by the eruption of Vesuvius in 79AD. From these, he gained a large number of marble and bronze sculptures, inscriptions, mosaics, pottery, jewellery, wall paintings, and Roman knick-knacks of every kind. This is the collection we still admire today.

The model of Pompeii on the second floor, made in 1879.

A papyrus unrolled from the Villa dei Papyrus.

Nowadays, the museum is organised on four floors. I personally would suggest that you start from the top floor, which has the stunning collection of frescoes from Pompeii and Herculaneum, the hall of the Temple of Isis in Pompeii, and a model of the city of Pompeii before being destroyed by the eruption of Vesuvius.

On the same floor in the western halls there are collections from the cities of Ancient Greece and also Etruscan and Roman cities, such as Pozzuoli, Capua, Baia, Miseno and Capri.

In the others halls there is the history of Naples and the magnificent collection of the Villa dei Papiri in Herculaneum. Discovered in 1750, this was a typical private villa. Very impressive is the high number and fine quality of the statues found in the villa, intense portraits of ordinary people, athletes, dancers, philosophers and gods. I always find it incredible how detailed these statues are, their faces, their hands, and their hair. They still seem to be alive to me.

Also housed here is the reason of the villa's name, the spectacular collection of more than 1000 papyrus rolls from the villa's library which survived the eruption, despite the fragile material of the scrolls and the high temperature of the lava. When first discovered many people through curiosity tried to unroll them in order to read them, but all were damaged. Only thanks to the invention of a machine in 1754 was it possible to open the rolls and read many of the most important texts of Greek literature, which otherwise would of been lost.

One of the statues of a dancer from the Villa dei Papiri.

Philosophers and athletes from the Villa dei Papiri.

The intense and dramatic bust of Seneca.

Pan and the goat from The Villa dei Papiri.

Continuing the journey down to the first floor is the reconstruction of the Casa del Fauno (house of the Faun) from Pompeii, which has the original pavements, columns, mosaics (including the famous Mosaic of Alexander) and all the original artefacts from the villa. It is amazing that most of the features of the house still have all their splendid and vivid colours.

From these rooms it is possible to enter into the Gabinetto Segreto (Secret Cabinet). This is the collection of erotic artefacts and mosaics from Pompeii as well as a reconstruction of a typical brothel. It is very interesting to see the Roman's take on sexuality.

The original statue of the Faun from Pompeii, on the first floor.

The mosaic pavement of Alexander, from the House of the Faun in Pompeii.

Amazing colourful features from the House of the Faun.

On the ground floor, where the entrance to the museum is, you can visit the Giardino delle Camelie (Garden of Camellias) and the Giardino delle Fontane (Garden of Fountains). Here is also the famous Farnese collection, which includes the gallery of Roman Emperors, Philosophers and mythological figures, like the giant Hercules at rest and the monumental Farnese Bull (both dated around the end 2nd/early 3rd century AD and discovered around 1545-46 in the Caracalla baths). Continuing on your journey you will then come across the Gem rooms.

The giant Hercules at rest at the ground floor. — The giant *Hercules at rest* at the ground floor.

Detail of the Hercules at rest. — Detail of the *Hercules at rest*.

The Farnese collection on the ground floor.

The Farnese Bull, made from a single block of marble. — The *Farnese Bull*, made from a single block of marble.

To finish your visit, you will go down to the basement where you will find the Egyptian and Epigraphs collection. To know more about it, check out my blog Egypt in Napoli.

Museo Archeologico Nazionale

Piazza Museo 19 - 80137 Napoli.

Tel: +39 06 39967 050

Tickets: € 12 / Concessions € 6 / Evening entry € 2 - Promotions are applied to Trenitalia and Frecciarossa customers, see the website.

Free entry every first Sunday of the month.

Opening hours: 09.00 - 19.30. Closed Tuesdays.

Closed December 25th and January 1st.

Egypt in Napoli.

November 24, 2016

Entrance of the Egyptian Collection at the level -1.

In October 2016 the galleries of the Egyptian Collection at The Archeological Museum in Naples reopened to the public. Situated in the basement, at level -1, it is an interesting opportunity to discover ancient life by the Nile. The collection is the second most important in Italy after Turin.

It was started in 1821 by Cardinal Stefano Borgia who collected and archived several objects from Egypt. Today it counts about 2500 Egyptian artefacts datable to Early Dynastic and Byzantine Periods (3000 BC - AD 640).

The new permanent exhibition explores all the different aspects of Egyptian life in the following sections; Men and Pharaohs, Tombs and Grave-goods, Mummification, The Magical and Religious Word, Scriptures, Jobs, Egypt in Campania and the Epigraphic section.

The most interesting part, in my opinion, is the Mummification section. The star of the section is the crocodile, remarkably preserved in its original bandaging of fabric and palm leaves. Next to the crocodile are two baby crocodiles. In ancient Egypt, crocodiles were connected to the god Seth or to the god Sobek. The crocodile was a holy animal and was cared for, decked with jewelry and treated with devotion until it's death and then buried in holy ground. Another interesting aspect of the mummification section is the preservation of body parts separately, like heads and feet, which are on display but I have avoided to put the pictures in as they look quite creepy!.

Egyptians were very fashionable. Most of the sophisticated jewellery found inside the tombs are not too far away from a bracelet or earring from a trendy shop on the high street.

In the following halls are exhibited the beautiful statues of Kings and gods and it is really interesting to see how powerful Pharaohs were, treated like gods in life and in death. The last section of the gallery is dedicated to Egyptian documents. Thanks to those long rolls of papyrus, we now know how Egyptians used to live, their relationships with gods and religion and much more.

Visiting the Archeological Museum is a MUST when you come to Napoli, so I will very soon write about other sections and about the building itself, as it is one of the oldest Archeological Museums in the World.